I make creature sculptures that live in a children’s world. Part animal and part human, their lives are filled with mischief, insecurity, fears, and curiosity. Their story begins as a lump of clay which is slowly formed through my fingertips. After being bisque fired, colorful underglazes are painted on the surface. Once all the firing is finished, I pause, change pace and step back in time. Sitting down with my 1920’s and 1960’s knitting machines I decide how to transform the glazed surface with an unexpected texture, knitted wire. Colorful wire mesh is stretched and sewn over the hard clay surface for the actual skins and garments for the creatures. These old mechanical machines are truly precious. I love using them for a renewed purpose, which adds to the story and fabled world where my creatures reside.